The narrative centers on a supernatural threat rather than interpersonal identity. There is no documented evidence of queer narratives or non-cisnormative gender identities.

While art school settings can destabilize hierarchies, it is unclear if women possess agency or serve as victims. The film lacks evidence of systemic gender subversion.

As a Japanese horror production, the cast appears ethnically homogeneous. The story focuses on a localized setting without intentional racial blending or diverse casting.

The film uses an absurdist, surrealist framework to disrupt traditional social orders. This deconstruction of reality moves away from singular, traditionalist storytelling models.

There is no verifiable evidence regarding the inclusion of characters with physical or neurodivergent disabilities.