
Traces Of Death II
1994
No Poster Available
2009
Director
Erik Mauck, Justin Johnson, Aaron Marshall
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
Emily Hagins is making a zombie movie. It's feature-length, it's bloody, and the zombies don't run. Just like it should be. But there's just one difference between her film and every other zombie movie you've ever seen. Emily is twelve.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film offers no evidence of LGBTQ+ characters or non-cisnormative identities. The focus remains strictly on the technical and creative process of filmmaking without addressing heteronormativity.
Gender Representation
The narrative centers on a young female protagonist exercising creative agency in the horror genre. This disrupts conventional expectations of male-dominated film production through Emily Hagins' leadership.
Racial & Ethnic Diversity
There is insufficient information to evaluate the racial composition of the cast or crew. No specific details regarding ethnic narratives are available for analysis.
Religious & Cultural Diversity
The documentary explores subjective morality through a child's interpretation of horror. However, it lacks explicit systemic critiques of traditional institutions or anti-Western perspectives.
Disability Representation
There is no documented evidence regarding the portrayal of neurodivergence, physical disabilities, or mental health conditions during the filmmaking process.
Strengths
Areas for Improvement
AI Analysis
Zombie Girl: The Movie is a documentary character study centered on the creative agency of twelve-year-old Emily Hagins. It succeeds in showcasing female leadership within a niche, technical context, providing a rare look at a young girl directing a horror feature. However, the work lacks the narrative complexity or intentionality required for high intersectional scores. Because it follows a specific real-world creative endeavor, it does not feature scripted character archetypes or intentional systemic representation. Ultimately, the film's diversity is limited by its documentary format. While it subverts gendered expectations in film production, it remains silent on LGBTQ+, racial, and disability-related narratives.
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