The film lacks any visible LGBTQ+ characters or non-cisnormative identities. It remains strictly centered on a heteronormative romantic framework.

The narrative reinforces asymmetrical gender hierarchies through Massimo's coercive dominance. The film fails the Bechdel test, as dialogue focuses almost exclusively on the central couple's sexual dynamics.

The cast is predominantly white, reflecting a homogeneous, wealthy European demographic. The story lacks significant racial diversity or non-Anglo-Saxon perspectives in positions of agency.

The film celebrates extreme wealth and capitalistic excess through a lens of luxury. It frames organized crime and obsessive behaviors as high-stakes romantic drama.

There are no discernible depictions of visible or invisible disabilities. The narrative does not include neurodivergence or chronic health conditions.