
Any Time, Any Play
1990

Representation Score
Limited
2002
Director
Bruno Mattei
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Killing Striptease functions as a traditional exploitation drama, relying heavily on genre clichés rather than social commentary. The narrative depends on well-established archetypes, such as the mysterious femme fatale, which reinforces existing power dynamics. Representation is limited, focusing on a narrow, heterosexual conflict. The film operates within a standard Western framework without addressing broader cultural or social complexities.
Category Breakdown
The story focuses on heterosexual relationships between Bruno and Damy. There is no representation of LGBTQ+ identities or critiques of the assumption that everyone is straight or cisgender.
Damy takes a leading role in her revenge plot, but her power is rooted in her physical attractiveness and ties her to the femme fatale archetype.
The film adheres to a conventional Western dramatic structure. There is no indication of a diverse cast or non-Anglo-Saxon majority.
The setting uses a strip club as a backdrop for individual melodrama. It lacks a systemic critique of Western institutions or social norms.
The film does not include any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Bruno is a cynical but attractive business man, owner of a strip-club. He has to replace his best dancer, Katy, after her suicide. Applicants would do anything to get this job, but only Damy, gorgeous and mysterious girl, catches his attention. What he doesn’t know is that she only has one thing on her mind: revenge.

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