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We Are Blood

We Are Blood

2015

Director

Ty Evans

Runtime

91 minutes

Average Rating

No ratings yet

Synopsis

We Are Blood is a modern day skate epic featuring Paul Rodriguez and other top skateboarders as they travel the globe pushing the limits of what's possible on a board and four wheels while celebrating the unconditional bond created by the simple act of skateboarding. Shot on location in Brazil, China, Dubai, and the United States.

Where to Watch

Diversity & Representation

Overall Score

4.2/10

Fair


Category Breakdown

LGBTQ+ Representation

Minimal

The film focuses entirely on the physical performance and travel logistics of professional skaters. There is no presence of LGBTQ+ characters or narratives addressing non-cisnormative identities.

Gender Representation

Limited

Representation leans heavily toward a male-dominated demographic typical of the 2015 skateboarding industry. The film lacks significant narrative agency for female participants or subversions of masculine archetypes.

Racial & Ethnic Diversity

Good

A global setting and diverse skater backgrounds provide meaningful representation. Filming in Brazil, China, and Dubai moves the narrative away from a Western-centric lens.

Religious & Cultural Diversity

Fair

The film celebrates a decentralized, nomadic subculture over traditional Western institutional structures. It prioritizes a secular, movement-based spirituality centered on the act of skateboarding.

Disability Representation

Minimal

The content focuses on high-performance physical ability. There is no documented focus on neurodivergence, physical disabilities, or chronic illness.

Strengths

  • The global travelogue structure moves the narrative away from a Western-centric lens.
  • The inclusion of Paul Rodriguez provides a central pillar of agency and depth.
  • The film celebrates a decentralized, nomadic subculture through its global settings.

Areas for Improvement

  • The film lacks significant narrative agency for female participants.
  • There is no engagement with LGBTQ+ identities or non-cisnormative narratives.
  • The focus on high-performance ability excludes the exploration of disability agency.

AI Analysis

We Are Blood functions as a kinetic study of movement and community rather than a traditional narrative. It successfully disrupts Western-centric sports tropes by utilizing a globalized setting and a diverse cast of athletes. However, the film lacks intersectional depth. It remains limited by the demographic realities of the professional skateboarding subculture and fails to engage with identity-based narratives. Ultimately, the work prioritizes aesthetic energy and global connectivity over complex social discourse or intentional representation of marginalized groups.

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