Masters
2012
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Diversity score: 3.9 out of 10
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Setters
2019
Director
Ashwini Chaudhary
Runtime
126 minutes
Average Rating
No ratings yetSynopsis
A thriller set in Benares, Jaipur, Mumbai and Delhi, Setters is about a racket profiteering from academic scams. The film follows a cat-and-mouse game between two good friends: one a cop, and the other a "setter" who arranges brilliant students in place of weak students to appear in examinations.
Where to Watch
Diversity & Representation
Overall Score
4.4/10
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks visible LGBTQ+ character arcs or non-cisnormative identities. The narrative focuses almost exclusively on the procedural conflict between a cop and a fraudster.
Gender Representation
Agency is concentrated in male-coded roles, centering on a dualistic conflict between two male protagonists. There is no evidence of female characters driving the plot or subverting hierarchies.
Racial & Ethnic Diversity
The story is grounded in South Asian social structures through its Indian urban settings. However, it lacks evidence of intersectional blending or the disruption of traditional ethnic hierarchies.
Religious & Cultural Diversity
The film functions as a standard crime thriller exploring institutional corruption. It prioritizes a conflict between legal order and criminal ingenuity over deep cultural or ideological critique.
Disability Representation
There is no information regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities.
Strengths
- The use of diverse Indian urban settings like Jaipur and Delhi provides a localized cultural landscape.
Areas for Improvement
- The narrative lacks female agency, centering almost entirely on male protagonists.
- There is a notable absence of LGBTQ+ representation or non-cisnormative identities.
- The film fails to include characters with physical or neurodivergent disabilities.
AI Analysis
Setters operates primarily as a genre-driven crime thriller. The narrative architecture prioritizes a traditional cat-and-mouse dynamic between two central male figures, which limits the scope for diverse character development. While the film utilizes a localized Indian setting across cities like Benares and Mumbai, it remains within conventional genre tropes. The focus on academic scams and law enforcement provides a specific social backdrop but lacks intersectional depth. Ultimately, the film lacks the complex, diverse representation required to move beyond a standard procedural framework. It relies on established masculine-coded conflict rather than expanding its social or identity-based perspectives.
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