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Things We Don't Say

Things We Don't Say

Representation Score

2.3/10

Limited

2026

Director

Gabriele Muccino

Runtime

114 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film presents a narrow demographic lens. Its strength lies in portraying Elisa as an accomplished journalist equal to her husband, challenging outdated gender expectations within a marriage.

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Category Breakdown

Does Things We Don't Say have LGBTQ+ representation?

Minimal

No LGBTQ+ characters appear in the story. The narrative centers on two heterosexual couples and their daughter, leaving queer identities entirely absent from the on-screen world.

How does Things We Don't Say portray gender?

Fair

Elisa is a sharp, internationally published journalist who matches her professor husband in status. The film treats their partnership as equal, avoiding traditional submissive tropes for women.

How racially and ethnically diverse is Things We Don't Say?

Limited

The leads are Italian, and Ahmed Boulane likely plays a local Moroccan role. No interracial relationships or meaningful integration of racial minorities into the core story are shown.

How does Things We Don't Say represent religion and culture?

Good

The film critiques Western professional success and the routine of high-achieving couples. It questions marital stability and fading affection rather than celebrating traditional family ideals.

Does Things We Don't Say include disability representation?

Minimal

No characters with physical or mental disabilities are present. The drama focuses on psychological tension among able-bodied adults, excluding disability from its emotional landscape.

Present on Screen

  • Elisa is a powerful, successful journalist equal to her husband.
  • The story critiques the emptiness of professional success and routine.

Limited or Absent

  • The cast lacks visible racial diversity in leading roles.
  • No LGBTQ+ or disabled characters are included in the narrative.

Official Synopsis

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

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