
Screen Test: Edie Sedgwick
1965

Representation Score
Good
1970
Director
Michel Auder
Runtime
155 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Michel Auder’s *Cleopatra* serves as a radical deconstruction of the Hollywood epic. By using the Warholian ensemble, the film replaces polished, traditional storytelling with improvisational, queer-coded performances that challenge conventional cinematic structures. The work effectively critiques culture by subverting celebrity hierarchies and capitalist media norms. It shifts the focus from idealized gender spectacles to a more fragmented, experimental mode of expression. However, the film lacks clear evidence of racial diversity within its core ensemble. While it questions the 'authenticity' of historical depictions through a meta-textual lens, the actual ethnic diversity of the cast remains unverified.
Category Breakdown
The film includes well-known figures from the underground queer scene, such as Taylor Mead and Ondine. Their involvement highlights the film's connection to non-traditional gender identities and fluid expressions.
Michel Auder challenges the 'Great Woman' cliché by breaking down the hyper-feminine spectacle of the 1963 epic. Performers dismantle traditional feminine roles through fragmented, improvisational portrayals.
The cast mainly comprises members of the Warhol ensemble, with no clear indication of non-white representation. However, the film questions traditional Hollywood standards by removing conventional ethnic markers from historical identity.
The film critiques capitalist media structures by repurposing high-budget Hollywood products for low-budget artistic experiments. It also rejects traditional Western hierarchies by focusing on an ensemble rather than a single star.
There is insufficient evidence to determine how disabilities or neurodivergence are portrayed. Avant-garde performances might suggest non-traditional forms of expression, but there is no specific data available.
Present on Screen
Limited or Absent
Official Synopsis
Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

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![Movie poster for Screen Test [ST155]: Dennis Hopper](https://image.tmdb.org/t/p/w500/gd6kmv76eK82k96iMRjbGfZRsVr.jpg)
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