
Rising High
2020

2014
Director
Ömer Vargı
Runtime
116 minutes
Average Rating
No ratings yetSynopsis
Ali and Sudi, who received a 10-year imprisonment for embedding many bodies in the backyard of a construction they had previously worked on, were now free after completing their sentences. After the past events, both friends are determined not to get involved in this kind of crime again. Two friends start working as a night watchman at an entertainment venue on the Aegean coast, which does not have a business permit. Captain Remzi, who owns the entertainment venue, also runs human trafficking with his boat. While both friends dream of going abroad with the women they love, these plans will fall through with the two bodies wash ashore. Although Ali and Sudi bury these two bodies in order not to get into trouble, they will not be able to escape the complex situation they fell into.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on a heteronormative framework, with male protagonists motivated by their desire to be with women. There is no visible representation of non-cisnormative identities.
Gender Representation
Male characters drive the plot through their navigation of a criminal underworld. Women appear primarily as objects of desire or motivation rather than active agents.
Racial & Ethnic Diversity
The plot touches on migration and human trafficking along the Aegean coast. However, the narrative focuses more on class and crime than ethnic diversity.
Religious & Cultural Diversity
The film explores systemic corruption and criminality through a crime-comedy lens. It follows traditional genre tropes rather than offering a deep institutional critique.
Disability Representation
The narrative provides no mention of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Under Construction 2 operates within a traditional crime-comedy framework that prioritizes localized social realism over intersectional storytelling. The plot focuses on the personal struggles and criminal entanglements of two men, leaving little room for diverse social perspectives. The film relies heavily on established genre tropes, such as men navigating a corrupt system. While it touches on themes of migration and human trafficking, these elements serve the plot's tension rather than exploring complex racial or ethnic hierarchies. Ultimately, the narrative lacks the intentional subversion of social hierarchies or the elevation of marginalized voices necessary to achieve a higher diversity rating.

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