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The End of the Holiday

Name: The End of the Holiday
Director: Stanisław Jędryka
Released: 1975
Duration: 86 min

Representation Score

4.7/10

Fair

1975

Director

Stanisław Jędryka

Runtime

86 minutes

Average Rating

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New Showbiz Analysis

The End of the Holiday is a character-driven coming-of-age drama that adheres to the conventions of mid-70s European realism. It focuses on the emotional development of a young boy named Yurek during his summer vacations. The film functions as a traditional narrative rather than a vehicle for identity politics. It prioritizes humanist themes of adolescence and first love over systemic issues or ideological deconstruction. Because the film is situated in a specific historical and cultural context, it lacks the modern markers of intentional diversity or characters who reflect more than one aspect of diversity.

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Category Breakdown

Does The End of the Holiday have LGBTQ+ representation?

Fair

The film centers on a protagonist's first love, though the gender of the romantic interest remains ambiguous. There are no visible representations of non-binary gender identities or derogatory stereotypes.

How does The End of the Holiday portray gender?

Fair

The story follows Yurek, a fourteen-year-old male. The narrative does not appear to challenge traditional masculinity or subvert established gender roles.

How racially and ethnically diverse is The End of the Holiday?

Fair

As a 1975 Polish production, the film reflects a historically homogeneous cultural setting. It lacks evidence of diverse casting or intentional racial representation.

How does The End of the Holiday represent religion and culture?

Fair

The film engages with universal themes of adolescence within a traditional family drama framework. It does not present narratives that disrupt conventional social structures.