
The Only One
2021

2024
TV-14Director
Teddy Soeria Atmadja
Runtime
110 minutes
Average Rating
No ratings yetSynopsis
Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on a romantic entanglement between Raia and River. It follows a standard heteronormative framework without exploring queer identities or non-cisnormative narratives.
Gender Representation
Raia is depicted as a professional writer with significant agency. Her journey focuses on overcoming writer's block and self-discovery rather than being defined solely by her romantic interests.
Racial & Ethnic Diversity
By setting the film in New York City, the narrative embraces a cosmopolitan perspective. It explores Indonesian identities within a Western urban landscape, moving beyond localized storytelling.
Religious & Cultural Diversity
The film prioritizes individual emotional resolution and a feel-good aesthetic. It uses its international setting as a canvas for personal growth rather than critiquing systemic or capitalist structures.
Disability Representation
There is no discernible depiction of visible or invisible disabilities, neurodivergence, or chronic illness within the narrative.
Strengths
Areas for Improvement
AI Analysis
The film succeeds in elevating the female protagonist, presenting Raia as a professional navigating a personal crisis rather than a passive romantic interest. This provides a more nuanced character study than typical genre fare. By transplanting Indonesian characters to New York, the production breaks away from domestic homogeneity. This transnational approach allows for a more intersectional look at the Indonesian experience in a globalized world. However, the film remains within conventional bounds. It adheres to heteronormative structures and focuses on individual emotional arcs rather than engaging with broader social or systemic critiques.

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