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We Are Monster

We Are Monster

Representation Score

5.8/10

Fair

2014

Not Rated

Director

Antony Petrou

Runtime

85 minutes

Average Rating

No ratings yet

New Showbiz Analysis

We Are Monster serves as a strong social commentary on the failures within the UK penal system. By dramatizing the murder of Zahid Mubarek, the film prioritizes a critique of racial violence and institutional negligence over traditional escapism. The narrative’s strength lies in its unflinching examination of how racial animus and institutional incompetence intersect. It shifts away from a Western-centric view of state stability to highlight the vulnerability of underrepresented individuals within state-run facilities. However, the film’s scope is limited, focusing primarily on masculine violence and racial conflict, leaving little room for exploring LGBTQ+ identities or gender subversion.

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Category Breakdown

Does We Are Monster have LGBTQ+ representation?

Fair

The film does not depict LGBTQ+ identities or relationships outside of traditional heterosexual norms. The story focuses on the intersection of racial and ideological conflicts.

How does We Are Monster portray gender?

Fair

The story centers on male-dominated environments and the dynamics of masculine violence. It examines the breakdown of traditional masculine control within the prison system.

How racially and ethnically diverse is We Are Monster?

Excellent

The central conflict revolves around a racialized power dynamic between a racist character and Zahid Mubarek. It challenges conventional narratives by focusing on the victimization of a person of color.

How does We Are Monster represent religion and culture?

Excellent

The film critiques Western institutions by presenting a key event as a result of institutional neglect and racial prejudice. It portrays state institutions as flawed.

Does We Are Monster include disability representation?

Minimal

There is no specific information about the portrayal of physical or neurodivergent disabilities in the narrative.

Present on Screen

  • Centers the narrative on the systemic victimhood of a person of color.
  • Provides a critical view of Western institutional structures and their shortcomings.
  • Challenges conventional narratives regarding the stability and morality of state institutions.

Limited or Absent

  • Lacks explicit representation of LGBTQ+ identities or queer perspectives.
  • Does not explore gender hierarchies beyond the lens of masculine violence.
  • Does not portray physical or neurodivergent disabilities.

Official Synopsis

On 8th February 2000 at Feltham Young Offenders Institute, Robert Stewart, a known violent racist was placed in a cell with Zahid Mubarek, eventually leading to Mubarek's murder 6 weeks later.

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