The film lacks any visible LGBTQ+ characters or narratives addressing non-cisnormative identities. There is no evidence of themes critiquing heteronormativity.

The story features a multi-generational family structure including a grandfather. However, the film maintains a neutral baseline without clear subversion of traditional gender hierarchies.

By centering on a non-human family resisting human captors, the film uses species as a metaphor for marginalized groups. This disrupts anthropocentric hierarchies and mirrors systemic displacement.

The narrative critiques Western-style institutionalism through its depiction of a private zoo. It positions human structures of ownership as predatory, prioritizing the agency of the 'other.'

There is no indication of characters with visible or invisible disabilities within the narrative. The focus remains on the family's rescue mission.