The film lacks explicit LGBTQ+ characters or non-cisnormative identities. The narrative focus on sin and trials suggests a reliance on traditional moralistic tropes rather than queer-inclusive storytelling.

The story centers on three strangers fighting for survival, but their genders remain unspecified. The themes of combat and ancient evil often lean toward conventional masculine archetypes.

The plot follows a universalist struggle that defaults to Western-centric theological frameworks. There is no evidence of diverse casting or the use of non-human species as ethnic metaphors.

The film operates within a strict religious binary of heaven versus hell. This structure reinforces traditional Western moralities rather than exploring secularism or moral relativism.

There is no information available regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities.