
We're Going to Team Building
2023

Representation Score
Fair
2026
Director
Diego Núñez Irigoyen
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film opens with the sterile promise of a corporate retreat, quickly undercut by the revelation that the "team-building" weekend is a raffle for unemployment. *Go Team!* (2026) functions as a sharp, low-stakes satire of Spanish mid-level corporate culture, where the primary conflict is not ideological but existential: who gets to keep their job in a shrinking cheese company. The sold meaning is clear—corporate loyalty is a sham, and the "family" metaphor is a tool for extraction. Pepa, the manager, holds the power, yet her authority is undermined by the chaos of her own staff, particularly the postpartum mother Olguita, whose bodily needs clash with office expectations. The film’s argument rests on the absurdity of "sustainable ecotourism" as a consolation prize for financial ruin. The camera loves the rural setting, contrasting the sterile office with the messy, authentic life of the village, yet it never fully commits to a critique of the labor system itself. Instead, it treats the layoffs as a comedic inconvenience, a "battle" that ends with a new boss, Padilla, who wins the team over with soccer metaphors and a closed deal. This ending is the moral verdict: competence and sales performance are the only currencies that matter. The film does not challenge the hierarchy; it merely swaps the players. The gender dynamics are traditional in structure but subversive in tone. Women are the moral and emotional center, dealing with the fallout of layoffs and motherhood, while men are reduced to comic incompetence or silent labor. However, the film does not invert the gender order; it simply makes the female experience the primary lens for the critique. The "woke" references are surface-level, used as jokes rather than a thesis. The film’s final image is one of corporate continuity, not revolution. The cheese is still sold, the team is still assembled, and the system remains intact. It is a funny, observant piece of workplace comedy that critiques the *mood* of modern work without questioning its *logic*.
Category Breakdown
The screen remains silent on queer life. No characters, relationships, or dialogue address LGBTQ+ identities. The cast operates within a strictly heteronormative framework, leaving this dimension entirely absent from the narrative.
Pepa commands the hierarchy, wielding layoffs as her primary tool. Olguita’s postpartum body clashes with office demands, framing motherhood as a liability. Men like Domingo are reduced to emotionally stunted drones, serving as comic foils to the women’s central moral weight.
The cast and setting lack visible ethnic variation. The narrative focuses exclusively on a homogeneous Spanish corporate group. No characters or dialogue address racial identity, leaving the demographic landscape entirely unexamined and static.
The film satirizes Spanish mid-level corporate culture with sharp precision. It contrasts sterile office life with the authentic messiness of a rural village. The critique targets the absurdity of 'sustainable ecotourism' as a consolation prize for financial ruin.
Disability appears only as a brief mention of a hip injury. No characters navigate ongoing physical or cognitive differences. The narrative treats bodily limitations as minor plot points rather than central experiences.
Present on Screen
Limited or Absent
Official Synopsis
When their team-building event gets downgraded to a tiny village, a cheese company's staff think it can't get worse — then they learn about the layoffs.

2023

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