The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The focus remains on an ensemble of friends without documented romantic arcs involving diverse sexualities.

There is no confirmation of female characters possessing high agency or the subversion of masculine leadership. The film likely relies on standard genre tropes common to the era.

As a Hong Kong production, the film centers an East Asian cast and cultural perspective. This disrupts Western-centric hegemony by offering a non-Anglo-Saxon view of the supernatural.

The narrative prioritizes survival and wit over traditional legal or moral institutions. This framing suggests a subjective morality where characters operate outside established social orders.

There is no verifiable evidence regarding the inclusion of characters with physical or neurodivergent disabilities.