
Every Last One of Them
2021

Representation Score
Good
2023
Director
Alexander Witt
Runtime
94 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Sayen: Desert Road shifts the action-thriller genre away from individualistic heroism toward a struggle for communal and environmental justice. By centering the conflict on the exploitation of local resources, the film moves beyond standard clichés to highlight systemic power dynamics. The narrative succeeds by positioning Indigenous ability to act at the heart of the plot. Rather than treating local communities as peripheral, the film makes their survival and sovereignty the central motivation for the characters. While the film excels in ethnic and cultural representation, it remains limited in its exploration of LGBTQ+ identities and disability. The focus is heavily weighted toward socio-environmental and racial themes.
Category Breakdown
The film does not include visible LGBTQ+ identities or relationships that go beyond the assumption that everyone is straight or cisgender.
A female protagonist drives the high-stakes action, emphasizing her role in leading the mission of reclaiming her community. Her partnership with Quimal highlights her control over the story's direction.
The story centers on an Atacameño girl and her community, highlighting Indigenous perspectives and struggles. Characters of color are the main drivers of the plot.
The film critiques capitalist expansion and Western institutional power. It prioritizes Indigenous communal survival over exploitative resource management by corporate interests.
There is no evidence of characters with visible or invisible disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Sayen follows a lead to the picturesque desolation of the Atacama Desert. There, she reluctantly teams up with a young Atacameño girl, Quimal, looking to clear her father’s name and save her town from becoming an arid wasteland due to Acteon’s exploitative water usage.

2021

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