
Addio fottuti musi verdi
2017

2021
Director
Rodrigo Cesar
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Lucidreide's home becomes a hell after the arrival of her mother-in-law, who evicted, decides to live there. Abandoned by her husband Dermirréi and unable to lead her home in front of her five children, she only has the desire to go away. Without understanding the size of a space voyage, Lucidreide accepts to participate in a mission that will take the first man to the Red Planet and is signed uo by the son of her bosses, Tavinho. He recalls that his father was selecting a person to integrate a training that would take a Brazilian to Mars. Believing that she is going to make her children happy, she leaves for training at Cape Canaveral in the United States.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film focuses on a fractured nuclear family unit. There is no explicit depiction of non-heteronormative identities or same-sex intimacy within the narrative.
Gender Representation
Lucicreide subverts the submissive housewife trope by seeking escape through a male-dominated scientific mission. She navigates a loss of agency caused by patriarchal abandonment and domestic intrusion.
Racial & Ethnic Diversity
The story challenges Western hegemony in space exploration by centering a Brazilian protagonist. This disrupts the traditional trope of the white, Western astronaut in science fiction.
Religious & Cultural Diversity
The film critiques traditional family hierarchies by framing the domestic sphere as a source of burden. It shifts from localized social structures to globalized, institutionalized systems.
Disability Representation
There are no visible or invisible disabilities mentioned or depicted within the character arcs.
Strengths
Areas for Improvement
AI Analysis
Lucicreide Goes to Mars offers a refreshing subversion of science fiction tropes by replacing the typical Western astronaut with a Brazilian woman seeking personal liberation. The film moves away from the idealized nuclear family, instead presenting domesticity as a site of crisis and displacement. While the narrative lacks specific representation for LGBTQ+ identities or disabilities, it finds strength in its geopolitical and gendered disruptions. It successfully challenges the demographic status quo of space exploration and the traditional expectations of maternal roles. Ultimately, the film functions as a critique of both domestic oppression and Western-centric scientific narratives, providing a unique perspective on agency.

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