
De Perto Ela Não é Normal
2020

2018
Director
Cininha de Paula
Runtime
110 minutes
Average Rating
No ratings yetSynopsis
Already famous, at the top of his career, owner of his own school of etiquette, Crô sees himself alone and without a family. Lonely and vulnerable, he ends up living at the whim of supposed family, Orlando, Marinalva, Luane and Nando, whose intentions are far from the best. With the inseparable Geni, Magda and Jurema by his side, Crô will embark on an adventure to find his true family while constantly avoiding the venom of the top columnist Carlota Valdez.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on traditional domestic dynamics and familial structures. It lacks explicit narratives regarding non-cisnormative identities or critiques of heteronormativity.
Gender Representation
The story explores domestic roles and interpersonal complexities. It disrupts traditional hierarchies by centering the protagonist's vulnerability rather than overt masculine tropes.
Racial & Ethnic Diversity
The film excels by centering a Black Brazilian family. This provides high agency to a non-Anglo-Saxon cast and challenges mainstream cinematic homogeneity.
Religious & Cultural Diversity
Social realism is used to examine domesticity and social climbing. The film deconstructs the 'ideal family' through a protagonist subject to the whims of others.
Disability Representation
There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Strengths
Areas for Improvement
AI Analysis
Crô em Família is a character-driven comedy that finds its greatest impact through racial authenticity. By centering a Black Brazilian household, the film provides a necessary departure from the homogeneity of mainstream commercial cinema. While the film succeeds in cultural texture and racial representation, it remains conservative regarding other social hierarchies. The narrative stays within conventional frameworks for gender and sexual identity, offering little subversion in those areas. Ultimately, the film functions as a study of social identity and domestic navigation, prioritizing the lived experiences of its specific cultural context over broader social activism.

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