
The World of Adultery
2020

Representation Score
Fair
2020
Director
Choi Jung-ja
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a psychological drama that questions the sanctity of the traditional household. It moves away from stable domestic clichés to explore themes of obsession, infidelity, and boundary violations. While the film lacks LGBTQ+ or disability representation, it earns points for challenging gendered expectations of marital stability. The protagonist's actions in seeking intimacy outside her marriage provide a departure from typical submissive female roles. Culturally, the film critiques traditional family structures by emphasizing individual impulses over conservative or Confucian values, highlighting moral relativism and personal freedom.
Category Breakdown
The story focuses on marital conflicts and family tensions within a heterosexual context. It explores unconventional relationships but does not include explicit LGBTQ identities or non-conforming gender expressions.
The film challenges traditional gender roles by focusing on the female protagonist's dissatisfaction. Ha-ni takes control through her decision to seek intimacy outside her marriage, rather than being a submissive wife.
This South Korean production offers a culturally specific perspective. Despite a homogeneous cast, the narrative delves into internal social dynamics and power struggles within its unique setting.
The narrative questions traditional family structures by depicting the nuclear family as a source of dysfunction. It emphasizes individual impulses over conservative or Confucian family values.
There is no mention of characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Ha-ni who was on a honeymoon with her husband, Jae-ho, seems to be uncomfortable with her sister-in-law, Ye-ji. She is a freeloader who lives in her brother's house without any other job. When the close brother and sister's affection was being expressed boldly and the sister's obsession with her brother gets stronger day by day, Ha-ni got tired of her sister-in-law's behavior of entering their bedroom in her sexy underwear. Ha-ni goes to Ik-tae, the manager of the cabin and had a physical relationship. What could the real purpose of their trip to the mountain be, and what could be the fate of the married couple that is tangled like a thread around Ha-ni and her sister-in-law's relationship?

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