
Groom's Block
2017

Representation Score
Good
2016
Director
Reza Dormishian
Runtime
115 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Lantouri is a gritty social realism film that critiques systemic corruption and institutional hypocrisy. By portraying the gang's actions as a result of a restrictive social fabric, the film presents a complex view of morality and justice. The narrative's standout feature is its subversion of gender roles, particularly through Maryam's intellectual independence. It avoids the cliché of the damsel in distress and instead showcases a woman who demands legal accountability. However, the film lacks representation for LGBTQ+ identities and uses physical injury primarily as a narrative device. While culturally authentic to Tehran, it does not explore neurodivergence or queer perspectives.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or non-straight relationships. It focuses on urban economic struggles rather than queer identity politics.
Maryam breaks traditional stereotypes as a confident, intellectually driven journalist. She plays a central role in driving the film's moral tension.
The casting accurately reflects the ethnic makeup of Tehran. The film highlights the nuanced textures of urban Iranian identity.
The story examines systemic corruption and institutional failures through the perspectives of sociologists and activists. It explores the conflict between personal survival and state oppression.
Physical injuries serve mainly as a plot device to advance the pursuit of justice. The film does not delve deeply into the lived experience of disability.
Present on Screen
Limited or Absent
Official Synopsis
Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

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