
April 9th
2015

Representation Score
Limited
1951
NRDirector
Robert Pirosh
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Go for Broke! is a significant historical document that challenges mid-century cinematic norms. By centering Japanese American soldiers as the primary drivers of military excellence, the film breaks from the traditional white protagonist norm of its era. The narrative gains depth by acknowledging systemic injustice through the depiction of internment camps. This creates a complex tension between the characters' pursuit of citizenship and the failures of the institutions they serve. However, the film remains a product of its time regarding social structures. The lack of gender diversity and the absence of LGBTQ+ representation temper the overall impact of its progressive racial centering.
Category Breakdown
The film follows the social norms of its time and does not include any identified LGBTQ+ characters or stories that challenge traditional views on sexuality and gender.
The story focuses mainly on male combat experiences and military leadership. It lacks meaningful roles for women, staying focused on traditional masculine heroism.
The film offers excellent representation by featuring a Nisei cast in key roles. It challenges racial prejudices by showcasing the 442nd Regimental Combat Team, highlighting the ability to act of Japanese American soldiers.
The narrative highlights the gap between American ideals and the reality of racial oppression. It criticizes the failure of democratic institutions through the depiction of internment camps.
There are no specific depictions of visible or invisible disabilities in the film.
Present on Screen
Limited or Absent
Official Synopsis
A tribute to the U.S. 442nd Regimental Combat Team, formed in 1943 by Presidential permission with Japanese-American volunteers. We follow the training of a platoon under the rueful command of Lt. Mike Grayson who shares common prejudices of the time. The 442nd serve in Italy, then France, distinguishing themselves in skirmishes and battles; gradually and naturally, Grayson's prejudices evaporate with dawning realization that his men are better soldiers than he is.

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