The film lacks narrative-driven LGBTQ+ characters or explorations of non-cisnormative identities. It avoids derogatory tropes but remains largely neutral, focusing instead on biological functions and historical archetypes.

Gender is viewed through a lens of biological grotesque rather than social subversion. While the film deconstructs the maternal experience via the visceral realities of childbirth, it does not focus on progressive female agency.

Casting is largely reflective of period settings and an Anglo-centric comedic tradition. There is no evidence of intentional color-blind casting or a deliberate effort to disrupt racial hierarchies.

The film excels by presenting religious dogma and divine judgment as bureaucratic and absurd. It utilizes satire to critique the perceived infallibility of religious institutions and totalitarianism.

Physical dysfunction and bodily extremes are used for slapstick and grotesque comedic effect. These portrayals lack nuanced agency, instead utilizing bodily otherness as a tool for absurdity.