
The Key
1992
No Poster Available
Representation Score
Minimal
1904
Director
Lucien Nonguet
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This early French film focuses solely on the 1904 assassination of Russian Minister Von Plèhve. Operating within the 'actualité' tradition of journalistic reconstruction, it lacks the narrative depth needed for complex character studies or social commentary. The film's scope is limited to political violence between male figures. It serves as a historical document rather than a platform for exploring diverse human experiences or challenging social hierarchies. Ultimately, the work is a technical recreation of a news event, prioritizing the depiction of a specific political act over the representation of varied human experiences.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. It focuses on a historical reconstruction of a political assassination and does not address non-straight relationships.
The story centers on male figures, such as a student and a government official. It highlights traditional male roles without showing women taking a leading role in the plot.
The film depicts historical figures from Saint Petersburg without any indication of a diverse cast or race-bent casting.
The movie focuses on reconstructing the assassination of a Russian minister without critiquing Western institutions or specific ideological frameworks.
There is no evidence of characters with disabilities, either visible or invisible. The film does not depict neurodivergence or physical impairments.
Present on Screen
Limited or Absent
Official Synopsis
The film depicts the assassination of the Russian minister in charge of the secret police. The bombing assault against the Chief of Police, Von Plèhve by a student named Sasanoff happened in Saint Petersburg on July, 29, 1904. It was reconstructed in Montreuil in the first days of August. For the sets, H. Laurent asked Touchard, director of exteriors to find newly dead horses, and a carriage from the year 1900. Laurent dismantled the carriage and burned parts of it and with a picture from the Petit Jornal Illustré, he recontructed the scene.

1992

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