
Geared Up
2021

2018
Director
Jacopo Rondinelli
Average Rating
No ratings yetSynopsis
Kyle and Max are two extreme sports athletes, two riders in continuous challenge and search for money. When they find out of the enigmatic proposal for a mysterious contest by an unknown organization, Black Babylon, they can’t turn down the $ 150,000 prize. But the “contest” will turn out to be much darker and deadlier than expected.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses entirely on the protagonist's physical and psychological struggle. There are no LGBTQ+ characters or explorations of non-heteronormative identities present.
Gender Representation
The narrative subverts patriarchal tropes by portraying the father figure as a volatile source of failure rather than a stable authority. However, a lack of female agency limits the scope.
Racial & Ethnic Diversity
Set within Italian urban peripheries, the film prioritizes class-based realism. The depiction of the working-class experience appears largely homogeneous, lacking racial or ethnic intersectionality.
Religious & Cultural Diversity
The film offers a sharp critique of Western social cohesion and the erosion of the family unit. It portrays the city as a site of systemic neglect and alienation.
Disability Representation
No characters navigate physical or neurodivergent disabilities as central plot drivers. The protagonist's struggles are framed through intoxication and isolation rather than disability.
Strengths
Areas for Improvement
AI Analysis
Ride is a gritty, realist exploration of urban alienation and the breakdown of social structures. It succeeds in deconstructing traditional patriarchal stability by presenting a fractured relationship between a father and son. This subversion provides a meaningful critique of the traditional family unit. However, the film lacks intersectional depth. The narrative is heavily centered on a homogeneous depiction of the Italian urban underclass, offering little in the way of racial or ethnic diversity. The absence of LGBTQ+ characters and female agency further narrows the film's social scope. Ultimately, while the film excels at critiquing modern capitalist urban planning and social decay, its narrow focus on socioeconomic friction prevents a more inclusive representation of identity.

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