
Desde el más allá
2017

2013
Director
Juanra Fernández
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
A young college is responsible for the care of an innocent little girl, but soon all he knows give a twist that will endanger his own life. All begin when crossing under the floor of the third floor to the left, a road without knowing directly the door open to the forces of evil, freeing them at will through the building. A desperate race to save the lives when terror and pure evil are in the next aisle.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or non-cisnormative identities. The narrative focuses on a caretaker and a child, suggesting a conventional character dynamic without queer themes.
Gender Representation
A male college student serves as the central protagonist. While a female child is present, the film follows standard protective tropes rather than subverting traditional gender hierarchies.
Racial & Ethnic Diversity
There is no information regarding the racial or ethnic composition of the cast. The plot focuses on supernatural mechanics rather than the identities of the characters involved.
Religious & Cultural Diversity
The story utilizes traditional horror motifs centered on good versus evil. It lacks any evidence of cultural critique or the deconstruction of social institutions.
Disability Representation
The film provides no mention of characters with visible or invisible disabilities. There is no indication of how neurodivergence or physical impairments are portrayed.
Strengths
Areas for Improvement
AI Analysis
For Elise (2013) operates within the established boundaries of the horror and mystery genres. The narrative structure prioritizes a survivalist struggle against evil forces over any meaningful exploration of identity or social hierarchy. The film relies on traditional tropes, such as a male protector and a vulnerable child, which limits its engagement with diverse perspectives. Without specific character details or intersectional casting, the production remains firmly within conventional genre norms. Ultimately, the film lacks the thematic subversion necessary to address broader social or cultural complexities, focusing instead on a standard race against terror.

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