
The Hazing
2004

2017
Director
Bryan Brewer
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
THE RAKING tells the story of a group of college students who set out to debunk an urban legend in Joshua Tree, California for their anthropology thesis, only to find that they become part of the legend themselves.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or narratives. The group dynamic centers on a traditional anthropology thesis, suggesting a conventional character framework without non-cisnormative identities.
Gender Representation
While the cast includes female members like Cree Kelly and Allie Rivera, the film follows standard horror ensemble structures. It does not appear to subvert traditional gender hierarchies or leadership roles.
Racial & Ethnic Diversity
The setting and subject matter offer potential for cultural exploration, but the cast lacks documented evidence of high-agency characters of color. The ensemble follows standard independent genre casting patterns.
Religious & Cultural Diversity
The story utilizes folklore and urban legends but lacks an anti-Western or anti-capitalist lens. The survivalist arc reinforces existing social structures rather than deconstructing them.
Disability Representation
There is no documented evidence regarding the inclusion of characters with visible or invisible disabilities. No assessment can be made regarding agency or the avoidance of tropes.
Strengths
Areas for Improvement
AI Analysis
The Raking operates as a conventional creature feature that prioritizes genre tropes over social subversion. The narrative focuses on a group of college students investigating an urban legend, which follows a standard survivalist arc common in independent horror. While the ensemble includes female cast members, the film does not actively challenge gendered power dynamics or traditional hierarchies. The lack of intersectional complexity or progressive thematic intent keeps the representation at a baseline level. Ultimately, the film lacks specific indicators of diverse identity or cultural critique. It functions as a straightforward genre piece rather than a work designed to explore or deconstruct systemic social structures.

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