
The Rifleman of the Voroshilov Regiment
1999

1985
RDirector
Cirio H. Santiago
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
After witnessing her husband's brutal murder, Carla travels to her parents' home in a small mountain town to start over. When she's repeatedly harassed by redneck locals, Carla seeks help from the town sheriff but is met with indifference. This continues until Carla's finally attacked, raped, and her parents executed by the twisted townies. Carla, after escaping a mental hospital, resolves to get bloody revenge.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film contains no identifiable LGBTQ+ characters or queer intimacy. It adheres to the heteronormative structures common in 1980s action-exploitation cinema.
Gender Representation
Carla drives the plot through a cycle of trauma and retribution. However, the narrative relies heavily on the 'woman in peril' trope to catalyze the action.
Racial & Ethnic Diversity
As an international co-production, the film features a multicultural cast of Western and Filipino actors. This provides more ethnic variety than many contemporary Western studio films.
Religious & Cultural Diversity
The story explores systemic failure through indifferent law enforcement. It uses vigilantism as a primary conflict resolution rather than critiquing specific religious or capitalist structures.
Disability Representation
Mental health is used as a plot device via the protagonist's stay in a mental hospital. There is no nuanced portrayal of neurodivergent perspectives.
Strengths
Areas for Improvement
AI Analysis
Naked Vengeance is a quintessential 1980s exploitation film that prioritizes visceral storytelling and individual retribution over progressive social architecture. While the international co-production model provides moderate ethnic diversity, the film remains rooted in traditional genre tropes. The narrative focuses on survival and vengeance rather than the subversion of systemic hierarchies. While it depicts a breakdown in institutional trust, the character arcs are driven by reactionary violence rather than intersectional exploration.
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