
King of Ravens
2020

2009
RDirector
Philippe Diaz
Runtime
99 minutes
Average Rating
No ratings yetSynopsis
Sex, politics and American culture are mixed into a combustible combination in Now & Later. Angela is an illegal Latina immigrant living in Los Angeles who stumbles across Bill, a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks a focus on queer identities or non-cisnormative gender expressions. It does not provide specific narratives that disrupt heteronormativity.
Gender Representation
The narrative offers meaningful insight into the gendered dimensions of migration. It highlights the specific labor roles and systemic vulnerabilities faced by women in undocumented communities.
Racial & Ethnic Diversity
The film excels by centering Latin American voices rather than the dominant Western gaze. It portrays immigrants as active participants in a struggle for rights and recognition.
Religious & Cultural Diversity
The story provides a sophisticated critique of capitalism and Western institutions. It frames legal and border structures as tools of systemic oppression against marginalized workers.
Disability Representation
There is no significant evidence regarding the depiction of physical or neurodivergent disabilities within the film.
Strengths
Areas for Improvement
AI Analysis
Now & Later serves as a profound critique of geopolitical and socioeconomic structures. By utilizing a documentary framework, it prioritizes human dignity over state-mandated citizenship status. The film effectively shifts the perspective away from a Western-centric view to examine the lived realities of undocumented individuals. The narrative's strength lies in its ability to deconstruct the paradox of an economy that relies on undocumented labor while simultaneously excluding those workers through state mechanisms. This creates a powerful lens through which to view systemic racial and legal hierarchies. While the film is highly successful in its cultural and racial centering, it offers limited engagement with LGBTQ+ identities or disability representation. The focus remains firmly on the intersectional vulnerabilities of the migrant experience and the critique of institutional authority.

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