
Under the Stars
2022

2019
Director
Alex Horwitz
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.
Category Breakdown
The film focuses on the technical and societal implications of automated vehicles. There is no explicit evidence of LGBTQ+ characters or narratives exploring non-heteronormative identities.
The documentary captures personal narratives of those affected by automation. While the technical industry is historically male-dominated, the film's scope suggests potential for diverse gendered perspectives.
A global scope implies a high probability of diverse geographic and ethnic perspectives. The narrative likely transcends a singular Western-centric viewpoint through its international scenes.
The film examines how technology affects modern society and existing structures. This framework allows for critiques of systemic shifts and how automation disrupts established social orders.
The subject of automated vehicles is deeply intertwined with mobility and autonomy for those with physical impairments. The thematic core provides significant opportunities for narratives involving marginalized bodies.
Strengths
Areas for Improvement
Score Reasoning
Autonomy functions as a topical, investigative documentary that prioritizes technological and sociological inquiry over explicit identity-driven storytelling. Its strength lies in its global perspective and the inherent connection between automation and human agency. The film's neutral stance suggests it observes systemic evolution rather than centering specific marginalized identities. While the subject matter naturally touches on disability and global diversity, the narrative remains focused on the technical and societal shifts of the industry. Ultimately, the work provides a broad canvas for discussing how technology reshapes modern life, though it lacks specific evidence of intentional intersectional representation.

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