The film lacks prominent LGBTQ+ characters or narratives. There is no evidence of queer-coded subtext or any engagement with non-cisnormative identities.

While the cast centers on sorority sisters, the characters largely follow standard horror archetypes. The film utilizes the 'final girl' trope without subverting traditional gender hierarchies.

The casting is predominantly homogeneous, reflecting a localized Irish setting. The narrative does not engage with themes of racial or ethnic multiplicity.

The story focuses on traditional folklore and the immediate threat of the antagonist. It does not attempt to deconstruct Western institutions, religion, or social structures.

There is no discernible representation of visible or invisible disabilities. Characters are used strictly for survival narrative roles rather than exploring lived experiences with disability.