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Maluma: What I Was, What I Am, What I Will Be

Maluma: What I Was, What I Am, What I Will Be

2019

Director

Jessy Terrero

Runtime

84 minutes

Average Rating

No ratings yet

Synopsis

Intimate interviews, sold out concerts and archive footage that narrates the path to success of the Colombian singer and songwriter Maluma.

Where to Watch

Diversity & Representation

Overall Score

4.2/10

Fair


Category Breakdown

LGBTQ+ Representation

Minimal

The film centers on a heteronormative male pop star. There is no significant presence of LGBTQ+ characters or narratives that challenge traditional norms.

Gender Representation

Limited

The narrative focuses heavily on the male experience of stardom. It does not actively subvert gender hierarchies or provide a platform for diverse gender expressions.

Racial & Ethnic Diversity

Good

The documentary provides high visibility for Latino identity and Colombian heritage. It celebrates the cultural nuances of Medellín and the broader Latin American musical landscape.

Religious & Cultural Diversity

Fair

The film follows a standard trajectory of upward mobility and professional triumph. It functions as a celebration of personal brand rather than a critique of systemic institutions.

Disability Representation

Minimal

The documentary does not feature characters or narratives centered on physical or neurodivergent disabilities.

Strengths

  • Provides significant visibility for Latino identity and Colombian heritage.
  • Disrupts Western-centric pop narratives by centering a non-Anglo-Saxon artist.
  • Celebrates the specific cultural nuances of the Latin American musical landscape.

Areas for Improvement

  • Lacks representation of LGBTQ+ characters or narratives.
  • Focuses heavily on traditional masculine identities and male-centric stardom.
  • Does not engage with diverse gender expressions or subvert social hierarchies.

AI Analysis

This documentary succeeds in providing a platform for Latino visibility by centering a Colombian artist's journey to global prominence. It disrupts Western-centric pop narratives by celebrating specific cultural roots and the musical landscape of Medellín. However, the film remains deeply conventional in its social outlook. It adheres to traditional biographical structures that prioritize individualist success and capitalist frameworks of celebrity over systemic critique. Ultimately, the focus on a singular, heteronormative male persona limits the film's engagement with broader intersectional themes or diverse social identities.

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